The hanga is
one of the best-known art forms of old Japan. The first hanga were
produced in 764, when the Empress Koken ordered the production of
woodblock prints bearing Buddhist sutras. She intended to distribute these
to all the temples throughout her domains.
The hanga
reached their peak as an art form during the Edo period. However, most
practitioners of hanga were probably unaware that their work would
be so highly valued in later years. Hanga were regarded as junk art
in their day. Woodblock prints were produced as promotional materials for
theaters, restaurants, and even brothels.
Many of the hanga
dealt with erotic themes. This subset of the art form was called shunga
/ 春画
(“spring pictures”). One of
the most prolific practitioners of “spring art” was Moronobu (1618-94). He
produced several dozen sets of these pictures. Closely related to the
shunga was the ukiyo-e /
浮世絵
(“pictures of the floating
world”). These detailed the lives of the courtesans and geishas who
inhabited Japan’s many pleasure districts.
Some hanga
artists were inspired by nature. Torii Kiyonaga (1752-1815) was the first
to paint landscapes on hanga. One of his contemporaries, Hokusai,
produced numerous prints of Mt. Fuji from various perspectives. Many of
these prints have been reproduced or imitated in the West.
Many years would
pass before the Japanese people appreciated the artistic value of the
hanga. Huge numbers of the pictures were sold to foreign collectors
during the Meiji Era (1868 - 1912), when the Japan was obsessed with
modernization, and generally disdainful of the culture of the Edo period.